Senior Lecturer, Spanish
Lecturer in Spanish, Spanish
Emeritus Professor, Spanish
Lecturer in Spanish, Spanish
Senior Lecturer, Spanish
SL in Spanish and Latin American Studies, Spanish
Lecturer in SPLAS, Spanish
Lecturer, Spanish
Lect in Spanish & Latin American Studies, Spanish
Book Chapter
Noble F (2025) 'A todo el mundo le gustaría que su madre fuera una estrella de rock ...' ['Everyone Would Like Their Mother to Be a Rockstar ...']: Music, Mourning, and the (Absent) Maternal Voice in Todos están muertos (Beatriz Sanchís, 2014). In: Noble F & Albaladejo Garcia N (eds.) Authoring Female Identities in Spanish and Latin American Art and Media. Cham. https://doi.org/10.1007/978-3-031-81444-0_10
Edited Book
Authoring Female Identities in Spanish and Latin American Art and Media
Albaladejo García N & Noble F (eds.) (2025) Authoring Female Identities in Spanish and Latin American Art and Media. Cham: Springer Nature Switzerland. https://doi.org/10.1007/978-3-031-81444-0
Article
Noble F (2025) #Cuéntalo [#TellIt]: Feminist voice(over) in Spanish Netflix series: Cable Girls, Money Heist, and Intimacy. European Journal of Cultural Studies. https://doi.org/10.1177/13675494251376106
Monograph
Davies A (2025) The Nightmares of Presence [Space and Place in Spanish Gothic and Horror Film]. New York: Bloomsbury Academic. https://www.bloomsbury.com/uk/nightmares-of-presence-9781501327353/
Article
Collins J & Gilligan S (2025) Dressing, Undressing and Redressing: Costuming Identities in Fernando León de Aranoa's El buen patrón (2021). Bulletin of Spanish Visual Studies. https://doi.org/10.1080/24741604.2025.2504258
Article
Leaving and returning: Tracing the double disengagement in the work of Dolores Redondo
Collins J (2025) Leaving and returning: Tracing the double disengagement in the work of Dolores Redondo. Journal of European Popular Culture. https://doi.org/10.1386/jepc_00073_1
Article
Ways Out of the Void? Postcolonial and Decolonial Theories in Relation to Armenia and Armenianness
Wilson S, Baker P, Vartikyan A & Shahnazarian N (2025) Ways Out of the Void? Postcolonial and Decolonial Theories in Relation to Armenia and Armenianness. Diaspora: A Transnational Journal, 25 (1). https://doi.org/10.3138/diaspora.25.1.2025.01.22
Article
Alejarse de la Edad Media ibérica y redibujarla: Tres formas afectivas de neomedievalismo
De Souza R (2024) Alejarse de la Edad Media ibérica y redibujarla: Tres formas afectivas de neomedievalismo. Neomedieval, 2 (2), pp. 125-154. https://doi.org/10.33732/nmv.2.82
Authored Book
Memories of Colonisation in Medieval and Modern Castile: Rereading and Refashioning al-Andalus
De Souza R (2024) Memories of Colonisation in Medieval and Modern Castile: Rereading and Refashioning al-Andalus. Oxford: Oxford University Press. https://global.oup.com/academic/product/memories-of-colonisation-in-medieval-and-modern-castile-9780198918097?q=memories%20of%20colonisation%20in%20medieval%20and%20modern%20castile&lang=en&cc=gb
Article
Are there limits to globalising the medieval?
De Souza R (2024) Are there limits to globalising the medieval?. postmedieval, 15, pp. 257-283. https://doi.org/10.1057/s41280-024-00309-2
Article
The Writing of Existence in the Latest Work of Alberto Moreiras
Baker P (2023) The Writing of Existence in the Latest Work of Alberto Moreiras. Philosophy and Society, 34 (1), pp. 120-140. http://journal.instifdt.bg.ac.rs/index.php?journal=fid; https://doi.org/10.2298/FID2301120B
Book Chapter
De Souza R (2023) Rewriting and Visualizing the Cid: The Reconstruction of Medieval Gender and Race in Argentinian Graphic Novels. In: Altschul N & Ruhlmann M (eds.) Iberoamerican Neomedievalisms: “The Middle Ages” and Its Uses in Latin America. Arc Medievalist. Leeds: Arc Humanities Press, pp. 173-201. https://www.arc-humanities.org/9781641894814/iberoamerican-neomedievalisms/
Article
Between Futurology and Extinction: A Transautographic Experiment in Two Turns
Cerrato M & Baker P (2023) Between Futurology and Extinction: A Transautographic Experiment in Two Turns [Between Futurology and Extinction]. Culture Machine, 22. https://culturemachine.net/wp-content/uploads/2023/11/Futurology-Cerrato-Baker.pdf
Article
Autographic Praxis: An Infrapolitical Adventure
Cerrato M & Baker P (2023) Autographic Praxis: An Infrapolitical Adventure [Autographic Praxis]. Angelaki, 30 (6).
Other
Baker P (2023) A contracorriente del cine establecido. Entrevista con Alberto Muenala sobre los primeros años del cine kichwa en el Ecuador [A contracorriente del cine establecido]. Ñawi, 7 (2), pp. 235-247. https://doi.org/10.37785/nw.v7n2
Article
Growing Old (Dis)gracefully: Spanish Masculinities and Contemporary Star-Celebrity Culture
Collins J & Gilligan S (2023) Growing Old (Dis)gracefully: Spanish Masculinities and Contemporary Star-Celebrity Culture. Journal of Bodies, Sexualities, and Masculinities, 4 (1), pp. 73-99. https://doi.org/10.3167/jbsm.2023.040106
Article
Baker P (2023) Imaginaries of Abya Yala: Indigenous Filmmaking in Latin America from a Multimodal Semiotics Perspective. Latin American and Caribbean Ethnic Studies. https://doi.org/10.1080/17442222.2022.2149230
Book Review
The Spanish Quinqui Film: Delinquency, Sound, Sensation
Davies A (2022) The Spanish Quinqui Film: Delinquency, Sound, Sensation. Bulletin of Hispanic Studies, 99 (2), pp. 177-178. https://doi.org/10.3828/bhs.2022.13
Article
Cruising queerness in Alejandro Modarelli’s “El amargo retiro de la Betty Boop”
McCarthy E (2022) Cruising queerness in Alejandro Modarelli’s “El amargo retiro de la Betty Boop”. Chasqui: Revista de Literatura Latinoamericana, 51 (2), pp. 183-202. https://chasquirll.org/chasqui-51-2-november-2022/
Living out the past: Medievalised Self-Fashioning and Postcolonial Memory in Colombia and Argentina
PI: Dr Rebecca De Souza
Funded by: The Carnegie Trust
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Spanish and Latin American Women's Gothic
PI: Dr Ines Ordiz
Funded by: The Carnegie Trust
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Women Poets Wandering in Time
PI:
Funded by: The Carnegie Trust
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The Power of Words: Translation, Mistranslation and Retranslation in the Creation of Christian Quechua Discourse in Colonial Peru
PI: Dr Sabine Dedenbach-Salazar Saenz
Funded by: Arts and Humanities Research Council
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